For a registration form for the TaKeTiNa Workshop,
click here (.pdf format)
To read an article on my personal experiences with TaKeTiNa,
click here (Word document)
I am pleased to announce the return of
the TaKeTiNa Rhythm Process to Atlanta this fall, Friday September 17th through
Sunday September 19th, 2010. I have attended four TaKeTiNa weekends since 2004,
and they have all been powerful experiences personally as well as musically and
rhythmically. I have shared some of the process with many of the students in my
drumming classes to enhance the learning of polyrhythms, and the Living Mandala
of Rhythm was also inspired by TaKeTiNa.
This event is co-produced by myself and Amy
Jackson and Colleen Caffrey of Rhythm Synergy in Atlanta, about whom you can
learn more at www.drummingatlanta.com Amy and
Colleen, along with another Atlantan, have just returned from the first resident
training for the three-year TaKeTiNa teacher certification process, deepening
the foundations for the TKTN energy field in the southeastern U.S.
From the perspective of an outside observer, a
TaKeTiNa workshop looks like a group of 50-60 people standing in one large
circle, with the two leaders in the center guiding the group into stepping,
chanting and clapping rhythm patterns. After a time the chant turns into a
call-and-response singing. Occasionally someone falls out of
rhythm, spontaneously leaving the pattern and moving individually inside the
circle, or even lying quietly on the floor, only to rejoin the movement later.
Eventually the entire group lies down as the movement and sound fades,
for reflection or meditation. There is a time of sharing within the group, and
then the process begins again with new patterns.
For the participant, however, much more is taking
place on inner dimensions. The opportunity for new, communal learning through a
group energy field is created by the experience of rhythmic movement and chant.
The body, brain and nervous system are brought to a place of profound relaxation
and balance, and the neuromuscular system is rewired for greater health and
perception. Archetypal rhythms from nature and the body inspire creativity and
new ways of being. No less than one's lifelong patterns of learning are up for
review. Unconscious patterns that limit growth can be processed and dissolved.
For musicians and especially drummers, it is a powerful way to develop a deeper
understanding of multiple simultaneous rhythms.
Here is a description of this year's workshop
theme from Reinhard Flatischler, the creator of the TaKeTiNa Rhythm
Process:
TaKeTiNa – Learning for Life
Rhythm, Space and Timelessness – a Journey into Deceleration It seems that in recent years, the world has only been going faster and faster. In fact, many events of daily life have accelerated greatly. Only several decades ago, a letter needed days or weeks to proffer its information. Today, innumerable e-mails are constantly waiting to be answered immediately; cell phones and computer networks enable decisions to be made in a matter of minutes. The result is that much more frequently than earlier, people experience two conditions that not only endanger their health, but can reduce their creativity and quality of life as well: stress and boredom. Despite the fact that these are on opposite ends of the spectrum, both come from one and the same source: the “distortion” of linear time. Stress means having too little time; boredom means that time is going too slowly. Both conditions prevent something that is essential for human development: experiencing space. When one is bored, the space that develops is involuntarily filled with “something”. When one experiences stress, there seems to be no space at all. TaKeTiNa can help solve this dilemma because it uses rhythm to help
participants experience timelessness. In timelessness, there is neither stress
nor boredom. In timelessness, a space opens up that is both empty and
simultaneously full of life, both still and full of movement. Human beings
experience this
state as an inner home. At the same time, this process acts as a type of “deceleration” – a pause that eases the daily hustle and bustle. Decisions emerge at the right time – a “reset” occurs at a deeper level. This allows faster action and increased reaction time. This is a course that invites you to decelerate in order to remain serene with the tempo of your life. Workshop Location:
TaKeTiNa-Atlanta will again take place at the Clarkston
Community Center, on the eastern edge of Atlanta. This is an amazing
international center where, among many other groups, the Drummers of Burundi
rehearse and the Atlanta Contra Dance Society meets weekly. To see more
about CCC and to see the beautiful auditorium in which the workshop will take
place, visit http://www.clarkstoncommunitycenter.org
A typical daily schedule for the workshop is from 10:30am
until 6pm, with a 90 minute lunch break. The Sunday segment usually finishes a
bit earlier. To learn more about the TaKeTiNa rhythm process and their
worldwide trainings and research, visit www.taketina.com
Lodging:
Discounted lodging will be offered for participants at
local hotels. Details will be posted at kumandi.com and drummingatlanta.com as
available.
Registration Information: A $150 deposit is required to reserve your space. All payments are non-refundable after August 15th. $50 processing fee for any cancellations. Meals and lodging are not included. Fees: Early Registration through May 15th: $325 with deposit, or $300 if paid in
full with registration.
Regular Registration through September 15th: $375 with deposit or $350 if paid in full with registration. Registration At Door: $395 Make checks payable to: Kumandi Drums PO Box 003 Decatur, GA 30031-003 or use Paypal and send funds to chuck@kumandi.com
A brochure with registration form, directions, and all other information
will be mailed to you once we receive your deposit. peace, Chuck Cogliandro
Brennan Healing Science Practitioner Kumandi Drums & Healing PO Box 003 Decatur, GA 30031-0003 404-577-6842 (vm) email: chuck@kumandi.com web: www.kumandi.com Furthermore, we have not even to risk the adventure alone, for
the heroes of all time have gone before us. The labyrinth is thoroughly known.
We have only to follow the thread of the hero path, and where we had thought to
find an abomination, we shall find a god. And where we had thought to slay
another, we shall slay ourselves. Where we had thought to travel outward, we
will come to the center of our own existence. And where we had thought to be
alone, we will be with all the world. -Joseph Campbell, scholar, author and
mythologist (1904-1987)
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